Surreal Collage Kits are now available!

I am excited to finally offer everyone a chance to make their own surreal collage at home.

Each kit includes enough material to make three 8 in. x 10 in. collages. In each kit, there are 3 sheets of colored card stock paper, over 20 vintage images, and instructions. (Kit does not include scissors or glue) This is a perfect gift for a creative friend or family member.

Here is an example of one of my surreal collage kits/ vintage paper ephemera packs. Notice Salvador Dali in an egg? FAR OUT!

All the vintage images are taken from Red Wizard’s own private collection. Weirdness and funkiness are guaranteed!

The kits are $25 USD and FREE SHIPPING!

Click the link below to order!

Does Good Art Take a Long Time to Make?

Triple Elvis by Andy Warhol

Triple Elvis by Andy Warhol

"Art should be quick" - Andy Warhol

This liberating bit of advice helped me when I was an art student. When I first heard this quote from Warhol, I was studying art in college and I was obsessing over the super talented artist, Alex Grey. It can be paralyzing to admire the masters. People with refined taste are often the biggest critics. Too much analysis creates "analysis paralysis". Learning to be critical about art is important, but during the Act of making art, it is equally important to let it go.

Once Andy Warhol assured me that art can be made quickly, I became less neurotic about the art I produced. I embraced speed. I embraced the pop ideology of quick mass production. I started to challenge myself to make projects within a day. Sometimes I challenged myself to complete projects within five-minute intervals. Right now, at this very moment, as I write this blog, I am challenging myself to get it done during my lunch break (so far I have 15 minutes left).

Andy Warhol famously embraced speed and mechanical methods of producing art. He called his studio "the factory". He loved American material goods, and he philosophize about them like a 1960s Socrates reading an issue of Good Housekeeping:

Andy Warhol embraced mechanical means of production. Even for his lunch.

"All Cokes are good. You know it, the president knows it, and the bum on the street knows it." -Andy Warhol

Coca-Cola wouldn't be a pop sensation if they only made one bottle. The power of the recipe comes in its ability to be reproduced over and over again, and fast.

This is the essence of Pop. Pop icons are bigger, brighter, and more significant than most other cultural artifacts. I remember reading once that, when tested, American schoolchildren recognized pictures of Ronald McDonald easier than Jesus Christ. Like it or not, Pop is in your DNA, like a Katy Perry song that haunts you while you sleep. It's ok, cuz baby, you're a firework.

"Speed is four billion times more important than perfection"- Gary Vaynerchuck

Embracing speed has been very important to my own art process. It has also been important to maintain my own ability to produce content on my blog and social media. I owe a lot of my early success to embracing speed.

In 2019, I listened to social media guru, Gary Vaynerchuck, almost every day. His podcast, The Gary Vee Audio Experience was extremely helpful. I followed his advice, and I began to post four times a day to TikTok. Keeping up with this schedule, required me to think about how to create art and social media content very quickly.

The need for speed forced me to film my process. I recorded myself cutting out my source material. The experiment was successful. People loved my process videos because they were “satisfying”. I now have at least three TikTok videos with millions of views. One video has over 6 million views… and I'm just cutting out an eyeball!

Stay Frosty,

The Red Wizard




Announcing My Weekly Comic Strip: Micro Dose

I recently have undergone a tremendous amount of self-realization this past year. Many questions that I had about the nature of reality and spirit have been answered. In fact, they all have been. A few days before my 37th birthday, I had a “vision”, but the vision is not the point.

Since I was about 15 I have been experimenting with different spiritual practices and reading scripture from various spiritual traditions from around the world.

Micro Dose is a weekly comic strip. Each strip is a personal lesson from my life, or an ancient fable that I have translated for modern times. I have two goals with this strip: to share wisdom and to learn how to make more complicated sequential art.

Micro Dose is released every Monday on my Instagram and WebToons.

Red Wizard's collage work on display at Revolution Art Gallery Buffalo, NY

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I am very happy to be invited to show my work at Revolution Gallery this summer. Revolution Gallery is an awesome place and the owners are super nice. It is located on Hertle avenue in north Buffalo. Hertle avenue has been exploding with new business and good vibes as more young people have moved into the area. Revolution is a perfect spot to meet up with friends for some great art and good conversation (which is something we all crave these days)

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My work on display is called “Inter-dimensional Jest”. I think it is the best collage I have made to date. As I experiment with different types of source material, I am beginning to have more fun. There are a lot of different pieces to this collage. I used everything from old maps to children’s books. The finished piece is 11”x14”. It is available for sale at revolution gallery’s site: Cut it Out 2021 Show

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Cut it Out!, ep.005- Kike Congrains, Curator of #CollageWave & Collage Historian

Enrique "Kike" Congrains is collage artist from Lima, Peru. He has shown his work in exhibitions in Peru, as well as Argentina, Spain, England, Hong Kong, and Norway at the Scandinavian Collage Museum. He’s the founder and curator of CollageWave, an annual show for established and emerging Peruvian collagists. Participated as a speaker in Kolaj Fest 2018 and 2019 in New Orleans. He teaches collage workshops to underprivileged kids and is writing a book on Latin American collage.

Cut it Out!, ep.004- Morgan Jesse Lappin

Morgan Jesse Lappin b. 1979 is a visual artist, entertainer, musician and image-maker Lappin first started creating collage art in 2007 for a clothing company creating original designs. In 2008, Lappin moved to Brooklyn and began working with paper to create contemporary collages. His art, like his mind, is a combination of comedy and chaos with elements of music, vintage horror and sci-fi. Lappin’s work ranges from seven-foot- long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with tiny paper worlds. 

He uses nostalgic material from his childhood from the 80s, such as VHS Tape boxes, video game cartridges, and any other 80's house hold items that could cause you to experience flashbacks. Having a background in collecting and curating, he set out to assemble some of his favorite collage artists from NYC, and so in 2013 the Brooklyn Collage Collective was born. The BCC has now exhibited all over the world and has a strong global presence amongst collage makers and collectors alike. 

In 2017, Lappin collaborated with The Very Warm, a parent company of Weatherproof, using Lappin’s original collages to design outerwear for men and women which sold-out with Nordstrom’s. In 2018, Lappin was chosen as a guest speaker at Kolaj Fest, a multi-day festival & symposium about contemporary collage and its role in art, culture, and society.